Architecture Meaning

ARCHITECTURE. The term Saracenic is usually applied by English writers to Muḥammadan architecture. But though the style may be traced to the Arabians, they cannot themselves be considered the inventors of it. They had, in fact, no distinctive style of their own when they made their rapid conquests, but adapted existing styles of architecture to meet the religious and national feelings of the Muslims.

Muḥammad built a mosque at al-Madīnah, but it was an exceedingly simple structure, and he left no directions in the Qurʾān or in the Traditions on the subject.

The typical varieties of the earlier Muḥammadan architecture are those which appeared in Spain and in Egypt; its later form appeared in Constantinople. The oldest specimen of Saracenic architecture in Spain is the mosque of Cordova, which now serves as the cathedral of the city. It was commenced by the K͟halīfah ʿAbdu ʾr-Raḥmān, 786 A.D., with the avowed intention that it should be the finest mosque in the world, and Byzantine architects are said to have been specially invited to superintend its construction.

The earliest of the Muḥammadan buildings in Egypt, of which any portions still remain, is the Mosque of ʿAmr at old Cairo, begun about A.D. 642, but greatly altered or rebuilt about sixty years later.

On the capture of Constantinople, St. Sophia was converted by the Muslim conquerors into their chief Mosque, and made their architectural model. The older Saracenic style, as seen at Cordova and old Cairo, continued to be the basis of the new, but it was modified throughout by Byzantine influence. In Persia [22]we may clearly trace in Muḥammadan buildings the older Persian type, and in India the Saracenic architects showed the same pliancy in adopting the styles of the various peoples amongst whom they settled. It thus happens (says Fergusson, in his History of Indian Architecture), that we have at least twelve or fifteen different styles of Muḥammadan architecture in Central Asia and in India.

A striking and distinctive feature in early Muḥammadan architecture is the horse-shoe arch, which in time gives way to a cusped or scalloped arch, strictly so termed, the outline being produced by intersecting semi-arches. Another variety of Saracenic arch is the circular-headed and stilted form. The pillars are commonly of exceedingly slender proportions, almost to apparent insecurity; but owing to the style of the embellishment, this lightness of particular forms tends to heighten the general luxuriance. Some have imagined that this element of slenderness in regard to pillars indicates a tent origin of the style. This tent-like character has been further kept up by concave ceilings and cupolas, emblazoned with painting and gilding. Decorations composed of animal and human figures, being interdicted by Muḥammadan law [PICTURES] are not found in Saracenic architecture; but their geometrical patterns exhibit singular beauty and complexity, inexhaustible variety of combinations, and a wonderful degree of harmonious intricacy, arising out of very simple elements. Lattice or open trellis work is another fertile source of embellishment, and is similar to the tracery met with in Gothic buildings. Another characteristic of Saracenic style is that of the dome. For the most part domes occur in mosques and tombs, and are of Byzantine origin. Minarets are also a special feature in Muḥammadan mosques, and contribute much to the picturesqueness of these buildings. They are [23]found in mosques of the later Saracenic style. (See Fergusson’s Indian and Eastern Architecture, Mr. Owen Jones’s Alhambra Palace, Hersemer’s Arabische Bauverzierungen.)