Maran or Marayan caste is surname of many people in southern India. Maran or Marayan caste meaning is The Marayans are summed up, in the Madras Census Report, 1901, as being temple servants and drummers in Malabar. Like many of the Malabar castes, they must have come from the east coast, as their name frequently occurs in the Tanjore inscriptions of 1013 A.D. They followed then the same occupation as that by which they live to-day, and appear to have held a tolerably high social position. In parts of North Malabar they are called Occhan.
The development of this caste, Mr. H. A. Stuart writes,3 is interesting. In Chirakkal, the [6]northernmost taluk of the Malabar district, and in the adjoining Kasargod taluk of South Canara, Marayans are barbers, serving Nayars and higher castes; in the Kottayam and Kurumbranad taluks they are barbers and drummers, and also officiate as purohits (priests) at the funeral ceremonies of Nayars. In the latter capacity they are known in those parts also as Attikurissi Marayan. Going still further south, we find the Nayar purohit called simply Attikurissi, omitting the Marayan, and he considers it beneath his dignity to shave. Nevertheless, he betrays his kinship with the Marayan of the north by the privilege which he claims of cutting the first hair when a Nayar is shaved after funeral obsequies. On the other hand, the drummer, who is called Marayan, or honorifically Marar, poses as a temple servant, and would be insulted if it were said that he was akin to the shaving Marayan of the north. He is considered next in rank only to Brahmans, and would be polluted by the touch of Nayars. He loses caste by eating the food of Nayars, but the Nayars also lose caste by eating his food. A proverb says that a Marayan has four privileges
1. Pani, or drum, beaten with the hand.
2. Koni, or bier, i.e, the making of the bier.
3. Natumittam, or shaving.
4. Tirumittam, or sweeping the temple courts.
In North Malabar a Marayan performs all the above duties even now. In the south there appears to have been a division of labour, and there a Marayan is in these days only a drummer and temple servant. Funeral rites are conducted by an Attikurissi Marayan, otherwise known as simply Attikurissi, and shaving is the duty of the Velakattalavan. This appears to have been the case for many generations, but I have not attempted to distinguish between the two sections, and have classed all as [7]barbers. Moreover, it is only in parts of South Malabar that the caste has entirely given up the profession of barber; and, curiously enough, these are the localities where Nambudiri influence is supreme. The Marayans there appear to have confined themselves to officiating as drummers in temples, and to have obtained the title of Ambalavasi; and, in course of time, they were even honoured with sambandham of Nambudiris. In some places an attempt is made to draw a distinction between Marayan and Marayar, the former denoting the barber, and the latter, which is merely the honorific plural, the temple servant. There can, however, be little doubt that this is merely an ex post facto argument in support of the alleged superiority of those Marayans who have abandoned the barbers brush. It may be here noted that it is common to find barbers acting as musicians throughout the Madras Presidency, and that there are several other castes in Malabar, such as the Tiyyans, Mukkuvans, etc, who employ barbers as purohits at their funeral ceremonies.
In the Cochin Census Report, 1901, Mr. M. Sankara Menon writes that the Marars are Sudras, and, properly speaking, they ought to be classed along with Nayars. Owing, however, to their close connection with services in temples, and the absence of free interdining or intermarriage with Nayars, they are classed along with Ambalavasis. They are drummers, musicians, and storekeepers in temples. Like Tiyattu Nambiyars, some sections among them also draw figures of the goddess in Bhagavati temples, and chant songs. In some places they are also known as Kuruppus. Some sub-castes among them do not dine, or intermarry. As they have generally to serve in temples, they bathe if they touch Nayars. In the matter of marriage (tali-kettu and [8]sambandham), inheritance, period of pollution, etc, they follow customs exactly like those of Nayars. In the southern taluks Elayads officiate as purohits, but, in the northern taluks, their own castemen take the part of the Elayads in their sradha ceremonies. The tali-kettu is likewise performed by Tirumalpads in the southern taluks, but by their own castemen, called Enangan, in the northern taluks. Their castemen or Brahmans unite themselves with their women in sambandham. As among Nayars, purificatory ceremonies after funerals, etc, are performed by Cheethiyans or Nayar priests.
For the following detailed note on the Marans of Travancore I am indebted to Mr. N. Subramani Iyer, The name Maran has nothing to do with maranam or death, as has been supposed, but is derived from the Tamil root mar, to beat. In the Tanjore inscriptions of the eleventh century, the caste on the Coromandel coast appears to have been known by this name. The Marans correspond to the Occhans of the Tamil country, and a class of Marans in North Malabar are sometimes called by this designation. In the old revenue records of the Travancore State, Mangalyam appears to be the term made use of. The two well-known titles of the caste are Kuruppu and Panikkar, both conveying the idea of a person who has some allotted work to perform. In modern days, English-educated men appear to have given these up for Pillai, the titular affix added to the name of the Sudra population generally.
Marans may be divided into two main divisions, viz, Marans who called themselves Marars in North Travancore, and who now hesitate to assist other castes in the performance of their funeral rites; and Marans who do not convert their caste designation into an honorific plural, and act as priests for other castes. This distinction [9]is most clearly marked in North Travancore, while to the south of Alleppey the boundary line may be said to remain only dim. In this part of the country, therefore, a fourfold division of the caste is the one best known to the people, namely Orunul, Irunul, Cheppat, and Kulanji. The Orunuls look upon themselves as higher than the Irunuls, basing their superiority on the custom obtaining among them of marrying only once in their lifetime, and contracting no second alliance after the first husbands death. Living, however, with a Brahman, or one of a distinctly higher caste, is tolerated among them in the event of that calamity. The word Orunul means one string, and signifies the absence of widow marriage, Among the Irunuls (two strings) the tali-tier is not necessarily the husband, nor is a second husband forbidden after the death of the first. Cheppat and Kulanji were once mere local varieties, but have now become separate sub-divisions. The males of the four sections, but not the females, interdine. With what rapidity castes sub-divide and ramify in Travancore may be seen from the fact of the existence of a local variety of Marans called Muttal, meaning substitute or emergency employée, in the Kalkulam taluk, who are believed to represent an elevation from a lower to a higher class of Marans, rendered necessary by a temple exigency. The Marans are also known as Asupanis, as they alone are entitled to sound the two characteristic musical instruments, of Malabar temples, called asu and pani. In the south they are called Chitikans, a corruption of the Sanskrit chaitika, meaning one whose occupation relates to the funeral pile, and in the north Asthikkurichis (asthi, a bone), as they help the relations of the dead in the collection of the bones after cremation. The Marans are, further, in some places known as Potuvans, [10]as their services are engaged at the funerals of many castes.
Before the days of Sankaracharya, the sole occupation of the Marans is said to have been beating the drum in Brahmanical temples. When Sankaracharya was refused assistance in the cremation of his dead mother by the Nambutiri Brahmans, he is believed to have sought in despair the help of one of these temple servants, with whose aid the corpse was divided into eight parts, and deposited in the pit. For undertaking this duty, which the Nambutiris repudiated from a sense of offended religious feeling, the particular Maran was thrown out of his caste by the general community, and a compromise had to be effected by the sage with the rest of the caste, who returned in a body on the day of purification along with the excommunicated man, and helped Sankaracharya to bring to a close his mothers death ceremonies. In recognition of this timely help, Sankara is believed to have declared the Maran to be an indispensable functionary at the death ceremonies of Nambutiris and Ambalavasis. It has even been suggested that the original form of Maran was Muran, derived from mur (to chop off), in reference to the manner in which the remains of Sankaras mother were disposed of.
The traditional occupation of the Marans is sounding or playing on the panchavadya or five musical instruments used in temples. These are the sankh or conch-shell, timila, chendu, kaimani, and maddalam. The conch, which is necessary in every Hindu temple, is loudly sounded in the early morning, primarily to wake the deity, and secondarily to rouse the villagers. Again, when the temple service commences, and when the nivedya or offering is carried, the music of the conch is heard from the northern side of the temple. On this [11]account, many Marans call themselves Vadakkupurattu, or belonging to the northern side. The asu and pani are sounded by the highest dignitaries among them. The beating of the pani is the accompaniment of expiatory offerings to the Saptamata, or seven mothers of Hindu religious writings, viz, Brahmi, Mahesvari, Kaumari, Vaishnavi, Varahi, Indrani, and Chamunda. Offerings are made to these divine mothers during the daily sribali procession, and in important temples also during the sribhutabali hours, and on the occasion of the utsavabali at the annual utsava of the temple. There are certain well-established rules prescribing the hymns to be recited, and the music to be played. So religiously have these rules to be observed during the utsavabali, that the priest who makes the offering, the Variyar who carries the light before him and the Marans who perform the music all have to fast, and to dress themselves in orthodox Brahmanical fashion, with the uttariya or upper garment worn in the manner of the sacred thread. It is sincerely believed that the smallest violation of the rules would be visited with dire consequences to the delinquents before the next utsava ceremony.
In connection with the musical instrument called the timila, the following legend is current. There was a timila in the Sri Padmanabha temple made of kuruntotti, and there was a Maran attached to the temple, who was such an expert musician that the priest was unable to adjust his hymn recitation to the music of the Marans drum, and was in consequence the recipient of the divine wrath. It was contrived to get a Brahman youth to officiate as priest, and, as he could not recite the hymns in consonance with the sounds produced by the drum, a hungry spirit lifted him up from the ground to a height of ten feet. The father of the youth, hearing what had [12]occurred, hastened to the temple, and cut one of his fingers, the blood of which he offered to the spirit. The boy was then set free, and the old man, who was more than a match for the Maran, began to recite the hymns. The spirits, raising the Maran on high, sucked away his blood, and vanished. The particular timila has since this event never been used by any Maran.
The higher classes of Marans claim six privileges, called pano, koni, tirumuttam, natumuttam, velichchor, and puchchor. Koni means literally a ladder, and refers to the stretcher, made of bamboo and kusa grass or straw, on which the corpses of high caste Hindus are laid. Tirumuttam is sweeping the temple courtyard, and natumuttam the erection of a small pandal (booth) in the courtyard of a Nambutiris house, where oblations are offered to the departed spirit on the tenth day after death. Velichchor, or sacrificial rice, is the right to retain the remains of the food offered to the manes, and puchchor the offering made to the deity, on whom the priest throws a few flowers as part of the consecration ceremony.
A large portion of the time of a Maran is spent within the temple, and all through the night some watch over it. Many functions are attended to by them in the houses of Nambutiris. Not only at the tonsure ceremony, and samavartana or closing of the Brahmacharya stage, but also on the occasion of sacrificial rites, the Maran acts as the barber. At the funeral ceremony, the preparation of the last bed, and handing the til (Sesamum) seeds, have to be done by him. The Chitikkans perform only the functions of shaving and attendance at funerals, and, though they may beat drums in temples, they are not privileged to touch the asu and pani. At Vechur there is a class of potters called Kusa Maran, who should [13]be distinguished from the Marans proper, with whom they have absolutely nothing in common.
Many families of the higher division of the Marans regard themselves as Ambalavasis, though of the lowest type, and abstain from flesh and liquor. Some Marans are engaged in the practice of sorcery, while others are agriculturists. Drinking is a common vice, sanctioned by popular opinion owing to the notion that it is good for persons with overworked lungs.
In their ceremonies the Marans resemble the Nayars, as they do also in their caste government and religious worship. The annaprasana, or first food-giving ceremony, is the only important one before marriage, and the child is taken to the temple, where it partakes of the consecrated food. The Nayars, on the contrary, generally perform the ceremony at home. Purification by a Brahman is necessary to release the Maran from death pollution, which is not the case with the Nayars. In Travancore, at any rate, the Nayars are considered to be higher in the social scale than the Marans.
In connection with asu and pani, which have been referred to in this note, I gather that, in Malabar, the instruments called maram (wood), timila, shanku, chengulam, and chenda, if played together, constitute pani kottugu, or playing pani. Asu and maram are the names of an instrument, which is included in pani kottugu. Among the occasions when this is indispensable, are the dedication of the idol at a newly built temple, the udsavam puram and Sriveli festivals, and the carrying of the tadambu, or shield-like structure, on which a miniature idol (vigraham) is borne outside the temple,
Maran or Marayan caste is one of the many castes subcastes of India.
India has thousands of castes and subcastes, they are in existence and practice since the Vedic times. They were created to solve the problem of division of labor. Maran or Marayan caste name could indicate the type of work people belonging to the Maran or Marayan caste do or did in earlier times. Many last names in India indicate the place the person originally belongs to. All castes sub castes are primarily divided into 4 categories:
1.Brahmins – The learned or priestly class
2.Khastriyas – The warrior class or those with governing functions
3.Vaishyas – The trader, agriculturalists or cattle rearers class
4.Shudra – The class that serves other three categories
Maran or Marayan caste belongs to one of the above 4 categories. Indian caste system is the best system to solve the problem of division of labor. In earlier times there was no rigidity in caste system. Indian caste system is still the best solution for the problem of division of labor, the only change that is needed as per changed times is that rather than having a vertical hierarchical system with Brahmins on top and Shudras at bottom, it would be good to have a horizontal socialist system with Brahmins, Khastriyas, Vaishyas and Shudras all at same level.
The caste system of India is in ruins at present. It is also cause of bloody quarrels in certain parts of the rural India. People of backward castes have reservations in government jobs, this facility is widely misused in India. Many of the backward caste people have become rich and still use the facility for their benefit. Many in India believe reservation in jobs should be given on the basis of poverty rather than caste because there are many poors in upper castes as well.
Many criticize the Indian caste system because of bad material condition of lower castes but if they observe in an unbiased way they would find that there are many in upper castes with bad material conditions. The problem lies in power not in castes, power can corrupt anyone be it from upper caste or lower caste.
All cultures, all countries, all religions have caste system in one form or the other. Christians have different churches depending on the region or language or skin color of people. Muslims have a priestly class that tries to control everything. Arab Muslims before the oil boom were so much divided among tribes that if you drank water from a well of a different tribe you could be shot dead. Tribal divisions still exists among Muslims. You can also see the caste system in a different form in your corporate companies. I had seen different food and drinking facilities for people at different levels.
Maran or Marayan caste is also known as Maran or Marayan Gotra.
Caste situation is quiet different in urban India, people in urban areas especially youngsters don?t bother about castes. Inter caste, inter religious, inter lingual marriages are quiet common in urban India. Inter caste, inter religious and inter lingual marriages in rural areas attract severe criticism and many times people are expelled from community for not marrying as per religious and caste rules.